Coincidentally, she also receives a proposal from Sultan at the same time. She confides in her best friend and her family of her brother-in-law’s intentions. Unfortunately, Soha finds herself on the receiving end of uninvited attention from her brother-in-law and tries to escape to her best friend’s home. Orphaned Soha lives with her married sister and family.
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The series episodes were written around real life stories and portrayed them in a constructive manner often seeking resolution through legal remedies. It quashed stereotypes of which some notable ones were that the police was corrupt, women cannot be criminals and what is considered a suitable profession for women. Her portrayal of a police woman in the late 1990s was trailblazing and inspirational. Ashraf is a principled officer determined to fight for and uncover the truth. (LINK: ) The officers from Pas-e-AainaĪctor Rubina Ashraf and her co-stars take on roles of women police officers in this drama. Soon Zawar Shah comes to realize the power of education and empowered women. Zawar Shah soon ends up in hospital with Saba presiding over his care. Saba refuses divorce, but separation ensues during which she wraps up her qualifications. He abuses Saba who ends up in hospital with injuries. Zawar Shah is a cruel feudal lord who treats Saba with scorn and disrespect. Though the marriage is against her wishes, she agrees to it both because of her passion to study and for other girls to be allowed to pursue an education. She leaves her house job incomplete to marry Zawar Shah. Saba is determined to change the family mindset and bows to conditions. But her choice distances her from the family. She isn’t the first girl to do so as her aunt too is a doctor. Sabahat or Saba’s feudal grandfather permits her to study only if she agrees to marry according to the family’s wishes. At last Aroosa weds Shehryar who lives next door. Taufiq’s elder sister wants Aroosa to marry her son just because of her father’s wealth.
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Anjum proves that educated women are capable of working out both domestic and professional conflicts with confidence and without negativity.Īs the years pass, Aroosa grows up and wins everyone’s heart. Meanwhile, the servants bring Aroosa to Anjum. Soon the sisters are tormented by raising both of Taufiq’s children who suffer neglect. Taufiq’s hands over custody of Arifa to his elder sister and threatens to do the same with Aroosa. But, the sisters-in-law frequently plot against Anjum whose relationship with Taufiq is already strained. Anjum is his second wife who wants to raise his daughter Arifa along with their daughter Aroosa. Taufiq is a widower who happens to be partial to his sisters’ opinions and rights. Anjum from Aroosa (1992)Īroosa was produced by PTV, directed by Qasim Jalali and written by Zubeda Khatoon.Īnjum, an educated woman is married to Barrister Taufiq. Such thoughtfulness is not routinely seen today when young women are either quick to accept or are pressured into accepting proposals. While Saad presses for an answer, Zara firmly asks for more time. She decides not to accept his proposal on the spot and consults her confidant Zain along with her aunt on the topic. Zara’s response to her business partner’s affections is also interestingly portrayed in this drama. Over time Zara manages to navigate the professional world, wielding enough power and respect to achieve her goal and more. She moves to Karachi to live with her aunt to find a job. Strong-willed Zara wishes to repossess the family home which comes under the possession of the lenders from whom her father had borrowed money for construction. The daughters of illustrious parents, Zara and Sania, are left orphaned from a car crash. It starred Shehnaz Sheikh, Marina Khan, Asif Raza Mir, Badar Khalil, Behroze Sabzwari, Azra Sherwani, Qazi Wajid, Durdana Butt, Yasmeen Ismail, Jamshed Ansari, Amir Hatmi, Subhani Bayounus and Sultana Zafar. Tanhaiyaan or The loneliness came out in 1986 and was directed by Shahzad Khalil and written by Haseena Moin. Here are five such female characters who are more relevant for this decade than many gracing the screens. Pakistani dramas portrayed strong, confident women who were often independent either financially or mentally and sometimes both. However, once upon a time this wasn’t always the case.
Strength, it seems, only emerges after they first experience abuse. Women are either slapping each other or are often portrayed as victims of domestic abuse.